Post your killer ideas here!

The Creature (The Thing)

115%

Tall killer

"It could be any one of us...."

After downing and hooking a survivor, take the form of another survivor currently in the trial for 30 seconds. Your terror radius is applied to the survivor who's form you took. You now have the normal abilities of survivors (vaulting, running speed, even healing. Not able to work on gens though) but can end the camouflage early to attack an unknowing survivor.

Has a basic attack with its claws for M1

Perks

Hex: Distrust

All dull totems are now active. When an active hex totem is cleansed, see the auras of all survivors for 2/3/4 seconds. Any Hex totem that is cleansed that is not Distrust will have both it's original ability as well as Distrust added. (i.e cleansed haunted ground while this is active? Congrats, killer sees you for a few seconds)

Paranoia

When two or more survivors are engaged in a co-op action (working on a gen or healing each other), this action now takes 5/8/10% longer to complete.

Cut Off

When all gens are done and exit gates are power, hooking a survivor during this time calls upon the entity to block both exit gate levers for 20/30/40 seconds. Can only be used once per trial.

Listen I know this is ridiculous and could not work even if ironed out due to players in parties, but imagine a killer that could take the form of someone else in trial. That would add some much needed horror back to the game.

https://forum.deadbydaylight.com/en/discussion/57516/the-puppet-the-creation-from-mutilation-chapter

Yes and no. Mine follows the typical snowy chasm "CUT THE ROPE!" thing. Sacrifice him so at least one of us will live and all that.

I Was thinking on the same path yesterday regarding crows. Thought a scarecrow killer would be good for that. Crows could harras survs on gens and the idol player crows could appear in half the time to penalise stealthy survivors, forcing them to stay on the move.

So taking some inspiration from Noob saibot from MK, i'd like a killer who uses clones for offensive and defence.

M1 Killer, with an ability to send out a clone who will tackle and damage one health state. Addons to grant an additional clone.

https://youtu.be/CS5rCkskI2g?t=62 , Addons to change the pathing of the clone and it's behaviour. Zig zag clone / Hitting with an M1 then activating your clone grants it haste.

Secondary ability to leave shadow portals where your clone dies on impact or runs out of time, survivors who run into these portals are pulled into the shadow realm for 20 seconds where they can't interact with pallets/windows/lockers or gens. Shadow portals have an AOE pull effect when within 5m of it.

Perks

Split personality - Kicking a gen applies an instant 8% regression, your clone also kicks the gen after you granting a further 4% regression. Being hit by a pallet and stunned, your clone will break the pallet.

Despair - All survivors who are injured suffer a 0.5% stackable movement slow effect, increasing by 0.5% every 8 seconds until healed or a maximum of 10 stacks are applied.

Two is always better than one - Your grab distance is increased by 1/2/3 meters.

This is my Killer Concept! I'm open to any ideas and improvements. https://forum.deadbydaylight.com/en/discussion/186066/killer-concept-the-mistress#latest

check out my profile for several killer ideas and chapters and please comment what you like/dislike on them

Before the Blight was a thing i thought of a fungal zombie called the blight, a mix between plague and clown, he'd be planting those event-plants around the map to spread a network of infected pathways to afflict sirvivors with a slight slowdown on those paths and an ever growing infection similiar to madness or the plague (skillecheck stuff and repair speed for example). Sirvivors could break the plants to weaken the network.

Another one would be a prison themed killer, "the Warden". Their ability would be spawning entity blockers in front of them, which would spread to nearby geometry and block those off too ( walls, buildings, trees, pallets, etc). If thats too weak, I'd like them to bring up a map screen to place traps that spawn huge circular cages made of entity blockers. Depending on how strong this is in reality, touching those walls could slow survivors a bit.

@PigMainClaudette are you talking about an mountaineer or Mei from overwatch? ^^. She'd definitrly be the scariest killer here. Joke aside, nice to see someone else getting area-lockdown/denial ideas too.

The Ballerina

Backstory: Lili Somorjai loved ballet dancing when she was very young and this love and passion for dancing was picked up from her mother, the only parent she lived with. Her mother was once a successful ballerina and before she had Lili, she was on top of the ballet world. Although her mother had no choice but to retire being a ballet dancer once she was pregnant with her daughter which was almost a dangerous & fatal choice to make because being a ballerina wasn’t a job, it was a lifestyle and if she were to keep up doing her ballet performance while in early ages of pregnancy chances are she would have made a miscarriage, not to mention that a ballerina needs to be in perfect shape & form. So with signs of pregnancy via a large belly would cause loads of raised eyebrows and suspicion, she couldn’t afford losing her baby through abortion either so she had no choice but to retire which in the ballet world might as well be translated as “suicide” as once again; being a ballerina was more of a lifestyle than a job.

Thankfully, Lili’s mother was able to afford other jobs that kept her own life going, allowing her daughter to be looked after by relatives while she is away and making sure she gets out in time to pick up Lili from school. However, despite this change of lifestyle;her mother. no matter how much she tries to move on from her ballet lifestyle, her quitting was still one of the most talk about subjects when dancing gets bought up and what they say about her retirement wasn’t met with positive feedback at all, as if retirement was a crime. It made a huge impact on her sanity, because everywhere she goes she sees people talking about her retirement a few years prior, thankfully no one recognized her as on stage she would wear heavy makeup to hide her face. But she still has trouble focusing at some points in her life, all she did was quit a job to look after a child, why is the ballet world so cruel about it that they would continue to talk about it to this very day?

Then when Lili was getting older up to the age of 7, she noticed how her daughter was becoming interested in ballet. Although her mother tried to get her away from being interested in ballet, not wanting to put her life hellish life she did, because ballerinas usually start from childhood and in the process their childhood would get stripped away, but Lili was stubborn and kept on watching ballet videos, enchanted by their movement and beauty and it didn’t help calm things down once Lili started watching videos of her own mother on stage (who she doesn’t recognize due to the makeup she was wearing in those videos), her mother almost went out to burn away these videos but as time went on since Lili turned 7 she was becoming more mentally unstable.

No one would shut up, no one would move on like she is trying to do, the world of ballet still talks badly about her, she has read on comments that quitting from ballet might as well be suicide because ballet is not a job it’s a lifestyle and these were getting to her head bad until something in her mind snapped. She can’t escape the world of ballet…but she was too late on going back…instead she’ll find a replacement, that’s it…she’ll find a successor in her place, that way she would not only game fame and recognition but also respect again, so she picked her daughter to be her replacement… Lili shares mostly the traits of her mother the most, she doesn’t have any traces of the father who left them with the exception of the brown hair and brown eyes…she would be perfect replacement…she could lead a cover up that she was back in the ring when in reality it was her daughter doing all the work…

So at the age of seven she started to teach Lili ballet…but it should be noted that her daughter’s name was actually “Lily” her mother is actually named “Lili” but her mentally unstable mother hopes to change that by making her daughter have her mother’s own name instead, but she was of course hiding these things from her daughter “Lily” as her daughter was super excited to finally learn ballet…but little did the poor girl know that by becoming a ballerina she was basically giving up her entire childhood and soon her whole life.

At first it felt fine but as months went by her mother was becoming to act stricter with her training, she wanted Lily’s body to stay in shape like hers so she no longer picked up with a car anymore, instead they walked home which wasn’t close to the school at all.  Lily wasn’t allowed to have her favourite meals anymore, instead her mother fed her only light amounts of food of her choosing…basically food that she herself ate when she was learning ballet herself, after all a ballerina needs to be in perfect shape and she was trying to make her daughter feel more like her own mother rather than herself, after all she also started off ballet at the age of 7 too so her daughter needs to go through things just like her.

One time, Lily begged to her mother that she wanted to quit but instead her mother snapped, slapphing across the left cheek & saying that you can’t quit being a ballerina because it’s not a job you can just quit, it is your life and she pushed her training even harder. Soon Lily was starting to get blisters that hurt her feet but her mother pushed saying that those are meant to be expected when doing ballet. As years went by she forced Lily to live her life more, such as forcing Lily to change from her old school to the one she was taught in, Lili even lied by saying that her daughter’s name was “Lili” and even assigned her to ballet class without her say so whenever “Lili” gets called out in class she must respond to that name because that is her now.

“Lili” was 10 years old when she joined the ballet class against her will but the years of training made her top of the class and when she went to perform live on stage in a school play everyone cheered especially her own mother feeling “proud” of her. After all she saw her younger self on stage that time. Although just because she was proud doesn’t mean things were over, Lili also forced her daughter to not have any friends as she herself didn’t have any either. Lili was doing everything she can to make her daughter go everything she went through so her daughter can be convinced she is her own mother and Lili can only smile about it.

Soon “Lili’s” room which were filled with her favourite toys and decorations would be taken away to an orphanage in favour of the things her mother had when she was her age, her mother was now just plain abusing her…Soon “Lili” really started to call herself “Lili” as if that was always her real name, soon she started ballet like there is no tomorrow in hopes she would have her own mother stop being horrible to her and it was working in both favors. The mother Lili was glad her daughter was taking ballet seriously like she did when she reached that age while her daughter was beginning to accept her new role with a broken mind, either way the mother Lili was happy things are progressing and she cannot wait for her daughter to reach teenage years…because that is when she shined in the world of ballet, but her own daughter felt like a machine, only dancing ballet for the sake of ballet dancing and pleasing her mother in the progress. When “Lili” reached around 16 years of age she entered college but her mother then used money she had over from her own ballet days to afford laser eye surgery on her daughter’s eyes to make them blue just like hers.

In the past she forced her daughter to use blue contact lenses but now they are permanently blue and she even used permanent hair dye on her daughter, changing it from brown to dark honey blonde just like her's, each year that goes by she was beginning to look more and more like her own mother. Her mother was pleased to hear she would be passing her ballet tests soon & once she reaches 18 years of age it was her time to go to Julliard and then kick off her ballet career once she graduates, yet little did she know that this would come at a very huge price.

During this time “Lili” was becoming more and more like her mother, not just in appearance and talent, but also in personality, not very sociable, always makes sure ballet is her number one priority, doesn’t want to hang out with friends…but she still remembers she was once a girl named Lily, but her mother pushed her into being someone else and it was too late for her to change as in her mind doing ballet was all that matters and she didn’t have the courage to tell anyone because as her mother said; quitting ballet is a definition of suicide, but so was giving up her old life.

Meanwhile her mother was planning ahead on her daughter’s coming years…she received images of the future, in a year from now, she would be killed by her own daughter who would finally snap from all of the abuse that she suffered from her. After seeing this she was desperate, no way would she would die by the hands of her daughter. So changing plans for once she used the money she had left from her ballet days to bribe the university into making “Lili” graduate early at the age of 18 so she can officially begin her career in ballet.

Her daughter was confused on why she was suddenly rushed but her mother didn’t answer and afterwards went all over the earth from the USA, to England, to France, to Japan, & even Hungary and had her perform in many theatres where she gained phrased and popularity, although at the time her name wasn’t revealed, Lili wants her daughter’s name to remain hidden for now until she is much older, to trick the world into thinking that the original Lili Somorjai has come out of retirement. Unrealistic as this plan was…she was beginning to feel glad things were going in her favour. Her daughter was the talk of the town and her daughter surprisingly felt happy about the fame…because it was making her mother proud which is why she never stopped dancing, she didn’t want her mother to feel angry, she didn’t want to her teachings go to waste…dancing was all she desired now, her own mother twisted her daughter's mind, She never said anything about it but her daughter’s body was unlike her own during her age, she at one point would have considered giving her daughter plastic surgery all over her body but she feels like that would have been a bad idea…so the curse will have to do. Everything was going as planned until one fateful night....

On the night before Halloween a tragedy occurred at the Alicia Markova Memorial Ballet Theatre, when "Lili" failed a performance. Her mother was both devastated because all these years of training her went to waste.... and her mother was also so infuriated that she sliced her mouth from side to side & underneath her eyelids with a sharp knife & yelled at her, telling her that she ruined her life & name & reputation and assaulted her physically on stage in front of everyone exposing the truth to the entire audience watching, this triggered something deep inside "Lili", after years of abuse & a ruined childhood/old life taken away from her cause her to finally snap in a rage, violently rip the knife from her mother's hands & slit her mother's throat with the knife, severing the woman's jugular veins, killing her instantly as all of her blood sprayed over her & the audience. This frightened everybody & caused them to run out the theater screaming.

That's when Lili briefly came to her senses & realize what she had done. At first, the 19 year old dancer felt horrible & regretted murdering her own mother, and how much damage she caused, she ruined her mother's name fame & reputation & ended her life. However, She also realized something else: it felt kind of good to kill, It gave her another purpose in life. As the fateful night of the murder made headlines worldwide. Lili wrote a fake suicide note to the public and went into hiding. She enjoyed being the ballerina of death as she even weaponized her tutu with deadly, long spikes & blades as well as deadly blades on the end of her pointe ballet slippers & finally embracing murder & ballet, combining them to become the graceful killer of death.

25 years passed & Lili was now the same age as her now dead mother & now resides in the theatre where she failed her ballet performance & killer her mother on October 30th. Throughout those years progressed, horror stories of visitors & people disappearing in the Alicia Markova Memorial Ballet Theatre became national legend. Eventually, the theatre was abandoned as it became too dangerous to even set foot in there. The mysterious disappearances were never solved. Meanwhile, no matter how many victims Lili killed on the stage where she took her mother's life, she'll never quit ballet dancing as quitting ballet is suicide because ballet was not a job, but a way of life. Destiny was calling to her. As the theatre began to deteriorate in structure & design, she finally realized her fate, to become not just a famous ballerina like her now dead mother, but to kill while doing so. Once a promising ballerina following in her mother's footsteps, Lili had become a dreadful ballerina of death for any mortals unlucky enough to cross paths with her. This pleased the Entity, and it sought to indebt Lili the Ballerina into the service of it's bidding.

Weapon & Ability:  Each killer has their own unique weapon and ability. The Ballerina's primary weapons are the bloodstained knife that was used to kill her mother, the spikes on her tutu & the blades on her ballet slippers with cut through the life essence of the souls for the Entity. Her ability, Curse of The Sugar Plum Fairy, is a ballerina music box that the Ballerina wields. The music that the box plays is a distorted & macarbe version of Tchiakovsky's The Dance Of The Sugar Plum Fairy, which can reveal the survivor's location to the killer, if the survivor gets way too close to it. If The Ballerina is in active pursuit of a survivor, he can sick the raven on them, which will briefly hinder them as it attacks. It has to be winded up first, but when the survivor gets too close to the music box: The Ballerina will have full sight of the survivor & the trail that they leave behind, making it easy for the killer to find them & attack them. A survivor can sabotage the music box, however this takes twice as long and doubles toolbox usage if one is applied. Once deactivated, the survivor can not get detected unless they are get to close to another active music box, in which case the killer will have full insight of the survivor again. The Terror Radius is increased by 50% & the trail the survivor leaves behind will not disappear after a while. However, sabotaging & deactivating the music boxes require separate toolkit actions, with the deactivation sequence taking precedence. If The Ballerina is not in active pursuit of a survivor, she can still place the music box & wind it up on the the spot wherever she is. If the music box is playing the song with a survivor nearby, it will simply reveal their location to the killer.

Perks: LETHAL EN POINTE: Generators are damaged quicker than ever. With this perk, The Ballerina can damage generators & destroy planks quicker than before with the cooldown greatly decreased. This also is helpful when chasing survivors with a 5% chance of putting them in the dying state in 1 fell swoop of an attack. DEATH IS FOREVER: Once hooked by the killer, There is a huge percentage-based penalty for any failed escape attempts, which speeds up the sacrifice procedure by 25%. The chance of them getting sacrified quicker increases per tier. The hex totem must be cleansed in order to disable the effects of the hex. However, once the first hex totem is cleansed, the hex is able to transfer to another totem elsewhere on the map, where it again must be cleansed to disable its effects. This hex is able to transfer up to twice per match before being disabled completely. SWAN'S GRACE: Even killers can be light on their toes. The Ballerina can leap over planks, obstacles & vaultable walls with ease without slowing down. This is very helpful when chasing survivors.

THE DOLL

LORE: Dorothea J. Simmonds (J stand for Jessebel), as a little girl she wanted to help people in need, wanted to expose the truth, she wanted to spread the word. That's what she learned from both of her parents, news reporters. When Dorie got to choose her career path she chose the same as her parents. She didn’t want popularity nor money from it, she wanted to tell the truth. When she was told to go to a mental asylum and reported any problems. She went and saw many patients in need. She tried to help them, but didn't know what to do when she asked a nurse or a doctor no one would listen to her. When the camera crew recorded everything they were killed and Dorie was next, when Dorie went to a patient's room she saw a little girl named Holly with a doll. When the nurses and doctor checked every room for Dorie, when they got to Holly's, Dorie got a pair of scissors from Holly's drawing desk and started the nurses and doctors. She let all of the patients go, they didn't go, they attacked each other, causing Holly to die. Dorie saw everyone she killed, her dead crew, and now Holly. She took her own life; she had failed, she said, she died with the doll in her hands. 

Summary (basically): she loved to help people and she wants everyone to know the truth, her boss told her to go to a mental asylum and studied about the patients who were ok. When she found out that the staff are treating them poorly she was going to expose them. The staff turn out to be low life criminals and they end up killing Dorie's crew. When Dorie met Holly, Dorie knew she needed to defend herself and everything else. She killed the staff and let everyone free, but turns out the mental patients we're actually killers; they hurt each other and ended up killing Holly, Dorie felt like ######### and killed herself with Holly's doll in her hands. 

Weapon: Holly's Scissors: An giant rusty old scissor that can cut to human skin 

Killer appearance: wearing a blue raggedy ann dress (Ripped), button eyes, red hair, stitches all over her body, right side mouth is slit, old dark brown boots, and white and red ripped socks. 

Human appearance: blonde hair, blue eyes, freckles and fair skin

Height: Medium

Speed: 110%

Terror Radius: 26 meters

POWER: Phasing of Fear 

No need to vault, break pallets or doors, or chase the survivor for hours. Phasing of Fears lets you take shortcuts to easily let you hit or downed the survivor. After hitting a survivor you will have a cooldown for 8 seconds. 

PECKS

Benevolent (Level 30)

In the beginning of the match all windows, pallets, and doors are block from the Entity 25/37/46 

"What are pallets?" - Dorie Simmonds

Hex: Derealization (Level 35)

After picking of a survivor your surroundings have high tense chills, if a survivor is blocking your way the Entity will hit the survivor, if you have a Hex totem they will be insta-down 

"NO ONE WILL TOUCH ME"- Dorie Simmonds

Illusions (Level 40)

After the survivor is rescue from there 2nd hook they will have Illusions of the killer seeing them coming at their way, but turns out it's the killer its just your imagination  12/26/30 

"You have no chance, Darling"- Dorie Simmonds

ADD ONS:

[NOT SURE]

I wouldn't know what to give him but here is 1 killers that could be fun to have is the licker from resident evil, i did have a few others in mind but i couldn't remember the names, and heres one my friend wanted i'm sure someones asked for it Pennywise From IT

The Seamstress:

Killer Concept

Quick backstory:

(Just an ambiguous backstory, not very good at storytelling so I left it kind of empty at the end)

Diana McArthur, the towns seamstress, was a lovely young woman. She was groomed to take after her mothers craftsmanship, adored by the small Scottish town for the great cloths and hats they created.

Diana's mother was everything to her. Her father was never around, he had a less favorable occupation working as a gravedigger at night and during the day he drank away at a pub.

It was all the more heart breaking when Diana's mother passed away of an unexpected illness. Diana was heartbroken.

She carried on though, working on her customers orders by her lonesome this time, she carried on the burden of keeping the household up as her father came home angry... unlike Diana who poured her sadness into her work, her father poured his loss into drinking and anger. Blowing away his frustrations at Diana, hitting her one night.

The night before the funeral, Diana was full of emotions. In her workspace, she crafted up a crude looking ragdoll. She didn't have quite the right fabrics to create it but it served it purpose... it looked like her mother, the same golden blonde hair, two green buttons for eyes, and of course a long blue dress... her favorite color.

On the day of the funeral, she embrassingly brought the doll. She was going to put it in the casket when she said her goodbyes.

Diana looked down at her mother, peaceful and pale. She shed a tear on the ragdoll and laid it near her mothers corpse.

Diana was about to leave but she saw something that made her curious.

The seamstress looked at her mothers corpse, stuffing began to lift out of her pale blue mouth... and with a closer inspection her ears as well.

Diana began to look at her mothers neck and see stitching.

She was taken back, what did they do to her!

Diana rushed out of the funeral.

She went to the funeral home the next day to complain, needing answers to why they stuffed her with cotton and had stitches around her neck. Although she received no answers, the man who worked there who was also a close friend with her mother assured that no such thing was done to her mother. He would never do such a thing.

Diana left the funeral home, beginning to think she was crazy. When she returned home and went to her workspace she noticed something. A trail of blood leading into her sewing needle drawer.

Diana opened it up slowly... she saw the ragdoll in there. The one that she laid with her mother, is laid in the drawer on top of the needles.

Diana screamed and flipped her chair back, she gently poked the doll. Then she lifted it up, warm blood ran down the doll and onto her hand as a needle was stuck into its side.

Diana took the needle out and blood dripped from inside the doll.

The seamstress then began to hear the doll cry... it was heavier than she remembered too... Diana cried as well and threw the doll onto her table as it cried.

It sounded like her mothers crying... she knew that cry from anywhere, the same cry she would get when her father came home in the morning in a fussy mood.

Diana couldn't take it, it was all in her head. She grabbed the doll and pulled it apart from the head... blood splattered onto her hand and dress.

The crying stopped... she looked down and dropped the doll to see bones in it... and then the crying started again... louder this time.

Appearance:

The Seamstess looks like a crudly created human sized ragdoll, she has blonde yarn like hair, blue button eyes, some of her had stuffing sticking out but other parts of her is bleeding.

The Seamstess holds a large needle as her weapon.

Power: Needlework

Pressing the active ability button with have the Seamstess take out one of her blank ragdolls, she will stitch up a creation of a chosen survivor.

the Seamstress will stitch herself up and take the survivors appearance.

Her terror radius disappears and becomes indistinguishable from a regular survivor.

She can do all other survivor task besides unhooking, she will not advance generators or destroy totems but can mimic working on them.

Pressing the active ability button while in Needlework will return to her Ragdoll form after a 2 second delay, she can return to this form while doing task. The ragdoll will slowly shed off her survivor form, the stitches falling apart as she sheds off the survivors skin like a snake.

Secondary Ability: Closet Tour

The Seamstess can enter any locker on the map as a survivor or Ragdoll, she can then teleport to any other locker on the map.

This will have a 30 second cooldown.

Passive for secondary Ability:

Closet Tour also passively stitches up ragdolls around the map randomly, some may take the shape of ragdoll or other survivors but they will aimlessly walk forward until unstitching and falling apart.

(Much like doctors tier 3 visions but more animated and random all over the map)

Perks:

Like A Thread Through A Needle:

Despite all odds, you eventually catch your prey.

When the Killer kicks a generator, any Survivor in a 14/18/24 meter radius of the kicked generator will scream and their location marked.

Hex: Sewn Shut!

Don't let your good craftsmanship go to waste!

Downed survivors will cause the entity to close off the closest generator to where the survivor was downed for 30/35/45 seconds.

Multiple generators can be closed by the entity.

Destroying the totem will deactivate this perk.

High Grade Stitching Here!

You were created by the best, with the best materials, to do the best work.

Being blinded will blind all survivors in a 12/14/16 meter radius of the killer, as well as the killer.

Being stunned by a pallet will give the killer 3% haste for 8/10/12 seconds.

This perk has a 40/35/30 second cooldown.

My Idea:

This was my first idea for the Seamstress, using her as a psychological killer that does the thing everyone wanted in dbd, dressing up as a survivor.

I wanted her power to make the survivors always on guard, even for swf. Which is why I allowed her to take shape as any survivor and have her Secondary ability do two things that will add to the uncertainty that her kit gives. Not only can she teleport and exit lockers as survivors which will add confusion if survivors last seen her on the other side of the map and wouldn't expect her on their side, but the passive will constantly have the survivors wondering what is real and which survivor she is dressed as in the moment..

Closer Tour also gives her map pressure which I think is needed on this killer, she had great engage if you successful fool a survivor but weak at looping.

Best way to counter the seamstess is to group up if you aren't sure who is who. Or stay together in pairs of two.

My idea for a killer is heavily inspired by scandinavian folklore.

The Näcken or The Nixie (maybe The Lurer or something), a killer who with their violin confuses or lures survivors with music. I have some problems with the final touch and perks but I just wanted to put it out there :)

Weapon: Violin with a sharp edge

Apperence: malnourished, long hair, some mermaid parables, froglike legs

Power: Troubadours gift, Making the survivors movement chopy, like the killer when the survivor struggle

When walking he jump/dance, maybe like the smiling man

But yeah, thats it pretty much!😊

THE BOMBERMAN

- Introduction: 

Like all suicide bombers, this killer would be a little crazy (laughs a lot and has fun when his explosives work).

- Appearance:

 I leave 2 suggestions for appearance:

 (1) War fighter, shirtless, with a band full of explosives;

 (2) Something more comical/figured, like a “human grenade”.

- Map:

Scenery from the 1st world war, with trenches and wires, something desert and destroyed.

- Basic Power:

Its basic power consists of placing land mines in the ground. When a survivor approaches, he will hear a few “beeps”, signaling that there is a mine nearby.

To deactivate the mine, the survivor needs to interact and hit quick skill checks (like the yellow rift). If he misses, the mine will activate (passively) and the survivor will take damage: (1) if healed, will be wounded; (2) if wounded, it will suffer from a deep wound.

To activate, the assassin must press the action button while “looking” for the desired mine (aura), dealing damage in a small area.

When the survivor walks/runs near the mine (beep radius), their aura is revealed for 3 seconds if the assassin is within 64 yards of the mine. If the assassin is beyond this radius, he can still activate the mine, but he won't see auras.

NOTE: If combined with perks that provide information about the location of survivors (discordance, tinkerer, barbecue in chilli, bitter murmur...), it will allow mines to be activated with greater precision (non-random) when beyond the aura reading radius . Optimize generator defense.

- Addons (Basic Power):

 (1) If healed, it causes the broken state;

 (2) If wounded, knocks down the survivor;

 (3) Increases the amount of skill checks to deactivate the mine;

 (4) The mine activates (passively) if the survivor runs over it;

 (5) Expand the aura reading radius near the mine;

 (6) Reduces the intensity/volume of the “beeps” (does not change the mine's aura reading radius);

 (7) Increases the mine's damage area;

 (8) If the mine is disabled, the survivor will suffer from the incapacitated state effect (due to the stress of the moment).

- Special Power (Crazy Race):

The special power consists of a madness attack in which the assassin lowers his helmet and becomes the bomb itself (name reference).

When activating (manually), there is a cooldown in which the assassin activates his detonator (like Oni/Trickster), but then his movement speed increases for 10 seconds (period when the power is active).

If you reach the survivor and press the secondary power button, the assassin will grab the survivor and immediately explode, leaving it on the ground.

If it fails to hold on to the survivor, it will explode after 10 seconds and deal small but less intense damage to the survivors (area): (1) if healed, it will be wounded; (2) if injured, will leave it on the ground.

Whenever successfully exploded, the assassin will have a fit of laughter, but if he misses he will be angry (cooldown period). After that your movement speed normalizes and power is reset.

To gain the special power, I leave 2 suggestions: (1) survivors' interactions with mines (walking nearby, trying to disable or activating); OR (2) successful basic attacks.

- Addons (Special Power):

 (1) Increase running speed;

 (2) Increases the duration of the race;

 (3) Increases blast radius in area (when not grabbing survivor);

 (4) Decreases power activation cooldown;

 (5) Decreases the amount needed to get the power.

- Perks ("Explosive Ideas"):

 (1) Blast Mine (Jill), however for the assassin. When the survivor interacts with the generator, there will be a “flare” and it will scream, revealing its location and suffering from the incapacitated state effect for 20/30/40 seconds;

 (2) Whenever a generator is repaired, it will reduce 10/15/20 seconds of life for any survivors who are hooked;

 (3) Upon hitting a basic attack, the first pallet the survivor drops in the next 10/15/20 seconds will be destroyed immediately (90 second cooldown).

- Mori:

The assassin ties up the survivor and sticks several dynamites to it. The assassin walks away, blasts the survivor with a detonator from a distance, and says “kabum” (as in cartoons).

The Mimic

Killer idea

The Mimic is a deceiving killer, able to imitate survivors to get close to its victims, then transform back to its original form for a surprise attack.

Its personal perks, Decoy, Monstrous Domain, and Dark Alternation, allow it to trick survivors, forcing them into pressured decisions.

It is all about setting up a plan to disorganize and surprise the survivor team.

Ability:

Press and hold the Power button to transform your appearance into one of the survivors and their health state, including survivors put into the dying state (Stays in first-person viewpoint).

Press and hold it again to transform back to its original appearance, granting extra movement speed for 1 second.

Transforming into a survivor:

-         Action takes 2 seconds.

-         Cannot move during transformation.

-         Can be heard from 20 meters away.

-         Removes red stain and terror radius while transformed.

-         Reduces Movement speed (Survivor movement speed).

-         While transformed the Mimic is unable to attack, but can imitate doing survivor tasks such as cleansing, repairing generators and self-healing (without making progress).

-         Can’t be healed if transformed into a survivor with a wounded or dying health state.

Transforming back into original form:

-         Action takes 2 seconds

-         Movement speed during transforming is reduced: 1.6 m/s

-         Can be heard from 4 meters away.

-         Post-Transform Speed burst: 1 second.

Perks:

Decoy  

When a Generator has no progress you can activate Decoy on the Generator. This makes the Generator look and sound like its progression is 50% repaired. Whenever a Survivor interacts with the Generator, they will scream and become Oblivious, and the Generator will be blocked for 10/15/20 seconds.

-         The aura of blocked Generators is highlighted to you in white.

Decoy has a cool-down of 60 seconds.

Monstrous Domain

When hooking a survivor on a Basement Hook their aura is not shown to the other survivors for 15/20/25 seconds.

Dark Alternation

After a survivor uses a fast vault while in chase, Dark Alternation activates:

-         Grants the Undetectable status effect for 6/8/10 seconds.

Dark Alternation has a cool-down of 30 seconds.

Lore

Born from a severed Entity limb, The Mimic fails to find its own form and imitates other organisms to survive. Still fueled by pain and suffering, The Mimic uses its transformation skills to get close to its prey. Upon gaining the trust of those around it, it uses the opportunity to transform back into its distorted own form to quickly attack its unsuspecting victims. After killing its prey, it usually copies this person and uses the appearance to find a new target. Never leaving the fog and still bounded by an invisible link to the Entity, it gains extra abilities to lure survivors close. Always putting survivors in a pressured situation where quick decisions are necessary.

The Owl

Killer idea:

Inspired by the Owlman Lord of Tears stories.

Power: Keen Eye

The Owl has incredible sight and any survivor that stays on The Owl's screen for more then X seconds will be highlighted and easy to see.

Special Attack: Take Flight

The Owl will throw up his owl companion who will then fly in the direction of a survivor at random, the owl companion will not follow or track the survivor just fly in a straight line towards them then straight up in the air and will return to The Owl for use after X seconds

Some of my favorite OCs (Heads up I go overboard on my concepts, you can skip to relevant sections like perks or power).

The Wendigo: A blind Killer that has tremendous tracking abilities with Auras, Killer Instinct triggers and can even smell Survivors so there's no chance of hiding.

The Pirate: A Killer that can block Objectives and interactables around the map with a shotgun that can injure and down Survivors at short range.

The Ghost: A phantom/zombie that survived a nuclear reactor meltdown, slowly irradiates Survivors to injure them, cause visual and audio hallucinations and cause them to move erractically.

The Baron: A voodoo priest that uses voodoo dolls to track, hinder and down Survivors.

So I was planning on putting this on a chapter concept but oh welp

Killer- The Mute

Pietre was born to no family his mother dying while he was in the womb and he had to be taken out of her corpse never seeing her face. His Father he never knew, if he even existed, never showed himself and so Pietre was left to hop between foster hom to Foster home never getting along with anyone and the parents finding him unnerving to be around. Soon he became deadly silent becoming someone in the backround observing and growing in rage at his hatred for humanity.

Then one day on his 18th he grabbed an axe from a basement and slaughtered everyone not even bothering to look at their faces while he killed them after this he went into hiding for years.

Overtime he would develop a web of connections watching the town he lived in and killing where he could for those he saw as wrong to live becoming the infamous little town killer until one day he was found.

The police tried as they Could to stop him but he had eyes and ears everywhere and he methodically took care of them but it only was a matter of time until he was found again. As he thought this a thick fog covered, smothered him and soon he was gone.

The mutes appearance is a gas mask wearing man welding an axe with lots of technological devices around him with long tendrils emanating from him

Power- Disruption

The mute is able to send out a series of wires that go over a distance up to 48 metres that inflict the disrupted effect on survivors for one level. This causes survivors to be slowed slightly and be afflicted with blindness. If they are hit with Disruption again the slowness effect is amplified and are now oblivious. Finally the last level causes the exposed status. All during this time the wires will attempt to slow the survivor by tethering them to surfaces in which a quick interaction will get rid of. They become more common the higher up the tier you are. To get rid of Disruption you have to complete a long interaction with skill checks that get longer the higher up. At tier 3 too the mute can hit you with the attack again to pull you towards him and even trap you in wires once you downed. Each use of it has a cooldown of 5 seconds with each one increasing this with a total of 5 charges.

Perks: Hidden gaze- Your years of watching others allows you to stalk them from afar. If your aura is detected or a location is revealed gain the undetectable status for 30/45/60 seconds along with the survivors aura for 1/2/3 seconds

Hex:Neurosis-A hex rooting itself on your hatred of those who wrong you. You become obsessed with a survivor. This hex can only be cleasned by the obsession who can detect it form 16/14/12 metres away. This hex causes any survivor within a 12 metre radius of the obsession to scream and have a revealed aura for 2 seconds. They are also hindered, heal 30% slower and repair generators 30% slower for the time they are in the obsessions radius and next 80 seconds when outside. The obsession changes whenever you are loose a chase with a survivor.

Scourge hook:Suspended Fright- 4 hooks at the start of the match are made into scourge hooks and are highlighted in white to you. Upon hooking a survivor 1/2/3 of the most progressed generators are locked for 60/80/100 seconds.

"Mannequin"

Powers:

*When she stands still she becomes undetectable. 🗽🗿

*She can create mannequins around the map and can teleport to them when 30m away. When she teleports to a mannequin she can stay still and not move and be undetectable.

* Or mannequins are created randomly at the start of the game. And she can teleport to them when 30m away.

Weapon:

*Mannequin removes her left arm with her right arm and swings.

New Map:

*Shopping center

Appearance:

*Mannequin looks simple. Female figure, no face, no clothes and covered in blood stains.

Story:

Something happend in the shopping center. Maybe Young girl who was working in the shoping center was bullied by all her friends a lot becouse she wasn't as cool and pretty . One time the bullies pushed her in the shoping center and accidentally pushed her over the railing. Girl fell in the middle of the shopping center on to some mannequins and died.

Now her spirit haunts the shoping center killing teenager's.